Anne Currie Horsemanship
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Ponies in a Landscape

9/9/2021

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Believe it or not there are ponies in this photo. A group of ponies in a landscape, a landscape of forest, shrubs, open water, marsh, and meadow. Ponies as humans might have known them before domestication began around 6000 years ago.
From time to time on my horsey path something comes along which changes the course of my path for ever. These ponies did that. (Can you spot them?)

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 'Come and spend 8 days immersed in the wild lives of semi feral horses and ponies. We will be situated in the spectacular land and seascape of the Cairngorms National Park and the Outer Hebrides.

The guides are professional trainers, teachers and researchers in the field of horse-human interactions. This is a chance to explore, expand, and enrich our understanding of horses and the horse-human relationship.' 


What an irresistible invitation! You have to love Facebook for the gems that pop up! Sadly the full 8 days was logistically impossible, however the first 4, based at the Highland Wildlife Park near Kingussie in Scotland's Cairngorms National Park and learning about the ponies which graze the Royal Society for the Protection of Birds (RSPB) reserve at Insh Marshes was all on. So off I went for a few days which are now filed in the store of precious memories which I hope I will keep to return to long after I can't remember what happened 5 minutes ago.

The course was the brainchild of Bonny Mealand (
https://touching-wild.blog/). A glance at Bonny's blog reveals her complete commitment to learning about and understanding the horse, and her enormous depth of knowledge and experience in finding ways of working which respect and blend with the innate characteristics of an animal which so often is misunderstood and imposed upon. Bonny is a remarkable lady and it was a privilege to meet and study with her.​

The other two facilitators on the course were from Sweden and the United States.  They brought their immense expertise in education and the science of studying how horses and humans interact, plus an international perspective which added breadth and depth to lively discussions which did not shy away from addressing difficult questions.
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However this was so much more than just a group of horsey folk talking about horses. We were at Insh Marshes because the ponies here live with a minimum of human intervention, and one aspect of our study was to look at how they spend their lives, and to discuss the development of low stress handling techniques which will mean that their welfare can be maintained, but there were also participants whose primary focus was on the ponies' role in grazing the reserve to maintain and improve its fragile habitats. This combination led to fascinating,  far reaching, at times deeply depressing but also inspiring talks about horse keeping, horse training, human psychology, conservation, rewilding, and the impact of humans on the planet. My mental filing cabinet rediscovered the drawer which contains 25 years of voluntary work in wildlife conservation - adding another dimension to a truly fabulous time.

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So what is a horse? How do they live their lives when no-one interrupts them? And how do we fit into the picture?
Let's be honest, how many of us, who claim to have the horse's best interests at heart, have actually thought to ask these questions? We may think we know them, but, with a small number of exceptions, the horses we know are defined and constrained by the parameters we impose and the traditions and beliefs of thousands of years of interactions which are predominantly based around our needs, and how the horse can help us meet them. For around 600 million people (https://www.thebrooke.org/) - and I think we in the recreational horse world easily forget this - horses remain crucial to  everyday life. They are inextricably bound to the history of humanity. 

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Since there are no truly wild horses (Equus ferus/Equus caballus) left in the world it is impossible for us to study a definitive 'horse', in the same way as we can study elephants or dormice. The nearest we have is the Mongolian Takhi, also known as Przewalski's horse (more about them another time), but even they, having been resurrected from extinction in the wild, have been subject to human influence and so cannot be called truly wild. However we do have a huge number of semi-wild, feral or semi-feral herds throughout the globe, and we have dedicated ethologists such as Lucy Rees patiently gathering knowledge and making it freely available in the hope that the husbandry of horses can be steered towards balancing their  needs and our own.

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The ponies at Insh Marshes are Polish Koniks (and yes, we did discuss why an imported breed had been chosen over one of our own natives - briefly, I think the answer is partly to do with the fact that all our native breeds originate from upland or heathland habitats, whereas the Konik is specifically suited to wetlands). There are 13 altogether, currently divided into a group of 10 (3 females and 7 geldings) and a group of 3 geldings. Any misconceptions we might have had about geldings lacking a sexual drive were cleared up when we learned about the way in which the original group of 1 female and 7 geldings appropriated the other 2 females when they were introduced, and banished the 3 geldings (more about them later too).

In such a vast landscape finding the ponies from ground level was the first challenge, however we were fortunate on the first day to come across them loafing in the shade of a clump of trees. Needless to say they spotted us long before we saw them, and as we approached the second misconception - that horses are naturally nervous and always ready to flee - went the way of the first. These animals were calmly curious, and because our approach, carefully curated by Bonny, was non threatening, they remained quietly curious until eventually we were among them, sharing their space and their afternoon. An experience I will treasure for ever.
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How much noise and bustle we bring into horses' lives! How busy we are around them! Imagine any wildlife documentary footage of chimpanzees on the rampage through the forest - that's us in our everyday lives. Contrast that thought with the image above. That's horses in their everyday lives. Quiet. Calm. Curious. Friendly. Moments of movement when something or someone needed sorted out, over in seconds. Of course, depending on circumstances, things could have got very busy very quickly indeed, and no-one was in the least complacent, however we were all (ponies and people) Aware, not Afraid. I was part of a special group of humans who knew how to be quiet, how to be still, in a very centered and mindful way which created a tangible resonance between our two species. 

So what did I see which will cause me to change how I am around horses? I saw, first and foremost, that left to themselves horses are predominantly very calm animals. Of course, the structure of the RSPB group is artificial, which meant that many behaviours were absent, however that did not detract from being able to get a feeling for just how horses are. I saw that they are calm - think how busy and stressed we can be around them; their lives are quiet - think how much we talk to them, fuss over them, talk to other people, shout across the yard, drop things, have the radio on, talk on the phone, how much NOISE we create in their lives; they love to be in each others' company, but companionship, for them, is close without touching - we pat, we stroke, we love to touch our horses because human beings love to touch, handle and hold, but as a result we impose ourselves on them constantly; they are curious and will move towards things to check them out - how much do we take new things to them instead of letting them investigate and work it out for themselves; and I saw that they will move towards a new thing, stretch their neck out and smell it very thoroughly before testing it with lips and teeth, then perhaps touch it with their feet - how often do we pull them away when they take a look and stretch towards something new?

So I will think about consciously slowing down and grounding myself before I approach any horse; I will work on staying calm and emotionally neutral in my mind; I will appreciate that they need to investigate new things, to look and smell; I will take time to be companionable without touching; and I will be quiet. 


It's very popular just now to talk about 'connecting' with our horses; words like 'harmony', 'relationship', 'partnership', and 'creating a bond' are scattered throughout articles, social media, blogs and videos. I think this represents a fantastic move away from the 'show him who's boss, don't let him away with it' tradition that so many of us grew up with, however the focus remains, for the most part, towards doing 'stuff' with the horse to create this magical feeling - when, in reality, we are the ones who need to change. The horse is already there, waiting for us to realise that. We need to put the work in on ourselves. We are the ones who need to change.  And I think, for many of us, the first things we need to learn are to slow down (if not stop altogether),  be quiet, and genuinely get to know the horse. Then, maybe, we can invite him to collaborate with us.  



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Journey

10/3/2021

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16 years ago a bright orange Welsh Cob with an utterly endearing face travelled here from Yorkshire. Last week, at the age of 23, she left, peacefully and with a minimum of drama, and I lost  a very special friend.

Boots arrived, as you can see, complete with tack which suggested that, to control her, her head had to be kept from getting too high. Nothing could be further from the truth, Boots was very much on the forehand very much of the time - unless confronted with something she wasn't sure of (memorably, mating alpacas,  or a fuel bowser parked at the side of a remote forestry track), at which point her head would become very high indeed and her whole body would become as if turned to stone. ​ At these times, any attempt to encourage her to move forward before she was ready would be either completely ignored (alpacas) or, if the path had deep bramble filled ditches on either side, met with rapid and reckless reversing (bowser) accompanied by threats to turn round and run very fast back the way we had come. So she taught me one of countless lessons - that force would not work, I must sit still, stay calm and wait for her to think it through. Eventually (alpacas) she would breathe out, relax and walk on as if nothing had happened, or (bowser) she would gather up her courage, close her eyes, and gallop past the scary object until a safe distance was achieved, then walk on as if nothing had happened.

There is a famous saying attributed to Lao Tzu in the Tao Te Ching: 'When the student is ready, the teacher will appear.' 

There have been horses in my life since I was very small - imaginary or fictitious at first but real since the age of 8 when I received riding lessons for my birthday. My mother had ridden as a teenager, and thinking back I now realise the subsequent years of yearning and dreaming which led her to buy a yearling Welsh Mountain pony when I was 16. We basically knew nothing - although I had read a LOT of books and knew by heart the Pony Club Manual of Horsemanship - but we had a real pony of our own and the adventure began. 

Fast forward over 30 years of riding, owning, learning about and working with horses, all based on the well embedded, tried and tested adversarial British methods I grew up with ('Show him who's boss',  'Don't let him away with it',  'He's testing you', 'He's just lazy'), and informed by a series of mentors who had grown up in the same  if-it-doesn't-behave-hit-it-with-a-stick tradition. 

During those years a few other things happened which are pertinent to my tale: a B.Sc(Hons) in Zoology; I developed an interest in posture, use and movement through study of the Alexander Technique; I began to discover the world of energy balance and the body-mind-spirit connection through study of equine and human Shiatsu; and I found in our local library a small unassuming paperback book called 'Centered Riding', which described an approach to riding based on the Alexander Technique and martial arts. How I longed to find someone who could teach me this way.

Then the teacher appeared.  

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She was accompanied by a few accessories: three months after Boots arrived I began a Master's degree in Equine Science at Edinburgh University's 'Dick Vet' Veterinary School - a dream year of full time study which altered completely the way I related to horses - during which I became good friends with a fellow student who introduced me to a parallel horsey world populated by horsemen whose names were Dorrance, Nye, Parelli, Rashid, Halfpenny, Brannaman, Hunt and Desmond and underpinned by the principles of scientific learning theory. I began to shed everything I had brought with me to that point, and prepared to begin again at the beginning. And just as I was wondering who on earth I could turn to who would understand and help me learn in this new direction, something magical happened: a tiny little advert in the back pages of Horse & Hound magazine advertising a Centered Riding Clinic in the UK. I called the number, expecting to hear that the clinic was a) full and b) hundreds of miles away, to discover that there was space and that the clinic was here, in Scotland. 

I'll never forget the atmosphere of calm around that clinic, of an entire ride changing direction on a thought, and of the glimpses of awareness beginning to come through as we were given space and time to think, experiment, discover and interpret. Of beginning to feel the living body underneath me respond to my breath, of beginning to realise just how quiet it was possible to be, that there was no need to kick, pull, hit or otherwise metaphorically yell at this gentle creature who would do her very best if only I could provide her with clear information. For the first time in my whole riding life I was being encouraged to discover and work things out for myself, instead of just being told what to do. 

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​So the journey began. There is something wonderful about spending days at a time, just you and your horse, learning. For others, it's about competing and working towards specific goals, but for me, the learning is enough.  Boots and I rode for miles in the forest and worked in the school, always learning. We learned about softness and feel from master horsemen like Steve Halfpenny and Mark Rashid, and we learned the foundations of Centered Riding from clinicians who had been apprentices of its founder Sally Swift.

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I traveled twice to Vienna, to seminars at the Spanish Riding School, and brought back the learning of precision and attention to detail offered by a different community of masters such as Arthur Kottas and Andreas Hausberger. To stand in the hallway of that ancient institution, read the names of the riders going back 500 years in an unbroken line, and know that in a very small way one is a part of it all is a very special experience indeed. 

And all the time, Boots was there, patiently letting me experiment, answering my questions, teaching me to observe, to read the horse, to notice the small tries and changes, to feel and to soften.

In this past year I have begun to come across a branch in the road which is suggesting the possibility of achieving an even greater depth of understanding and communication, using a branch of neuroscience known as polyvagal theory. At its heart is the requirement to recognise the emotional state of the horse during his interactions with us, and to respond appropriately in a way which communicates that recognition. It's very exciting and very effective, but demands a high degree of emotional maturity on the part of the horseman. More to learn - bring it on!

​There's a less well known part to Lao Tzu's quote: 'When the student is truly ready, the teacher will disappear.'

I'm ready for the next part of my journey. Farewell, my beloved teacher. And thank you.        

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Quieting the Noise

14/2/2021

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 One of my earliest memories is being read Anna Sewell's 'Black Beauty', a chapter a night, as a bedtime story. ​(Another is getting into big trouble over my attempt to draw a horse on the highly polished surface of a table with a sharp implement.)
At the same age as today's children might watch Paw Patrol or Peppa Pig I was immersed in TV Westerns - Wagon Train, Laramie, Bonanza and The Lone Ranger.

Both the book and the Westerns depict a time when the use of horses for transport and all kinds of work was at its peak, and when consideration for their welfare was mainly centred around keeping them sound enough to be of use and around ways of preventing them from displaying unwanted behaviours. The Western horses were seldom anywhere other than tied up sleeping outside the saloon, ready for the posse to burst out, leap aboard and gallop off after the bad guys, or standing fully tacked up at the camp fire, in case the cowboys had to spring into action to head off a stampede.

'Black Beauty' famously chronicles the life of a Victorian carriage horse whose voice, and that of his friends, is used to express Anna Sewell's concern for the unnecessarily cruel and inhumane treatment of many working horses in the 1870s; in particular her horse characters speak out against the very fashionable bearing rein, which forced them to carry their heads unnaturally high, and the subsequent decline in its popularity can be directly attributed to the way she publicised its use from the horse's point of view.   Bear in mind that, at this time, the idea that animals other than humans could feel pain or experience emotions was a novel concept for many people. Of course, in preceding centuries many authors had advocated for treating horses with kindness and compassion, starting with Xenophon over two thousand years ago, but Anna Sewell's book was the first to be freely available to the general public, whose interest must have been piqued by her unique approach to her subject.

How much we have moved on from those days! Or have we? 

Certainly, we have moved on in that, in the UK, Europe and the US, horses are no longer a necessity but a luxury, but otherwise, I think there are many examples of le plus ca change, le plus c'est la meme chose. Tight nosebands? Rollkur? Barefoot evangelists (don't shoot, I'll come back to it another time)? Obesity in the show ring? Soring in Tennessee Walking Horses? Over-rugging? Young horse futurities and championships?
One of the saddest sights I've ever seen was two years ago at the Royal Highland Show: a show jumping horse, having jumped, was being led back to the stables by its rider and full entourage. The humans were chattering away happily, their entire focus on themselves, while the horse trailed behind, its head low and its apparently lifeless tongue hanging from the side of its tightly strapped shut mouth. As I watched it pulled its tongue back in, swallowed and then the tongue reappeared, lifeless again. What suffering, ignorance, indifference and careless cruelty was encapsulated in that one little scene.

The full range of human characters around horses described in Black Beauty is exactly the same today: the kind, the compassionate, the knowledgeable, the well meaning, the ignorant, the selfish, the thoughtless and the cruel. 

I think the biggest change since Anna Sewell's time is that the use of horses has become much more fragmented and polarised - from high end competition, and therefore big money, through amateur 'grassroots' and 'happy hackers', to proponents of natural horsemanship and 'force free' training to folk who have talked themselves so far down the road of compassion that the right to use horses in any way is being questioned. Every one of these camps has its true believers and its vociferous critics, and such is life today that anyone wavering in uncertainty about which way to go will be bombarded with marketing - overt or otherwise - guaranteed only to increase their confusion further. Once the decision is made, the marketing doesn't stop, the emphasis just changes onto which kit to buy, how many supplements you need, to shoe or not to shoe, to stable or not, which trainer gets the best results, which method of behaviour modification is least stressful for the horse, who to follow on Facebook and whether or not your horse will love you in spite of it all.

I call this The Noise.

I believe we all have the capacity to Quiet the Noise. We can take a moment to remember the love of horses that brought us here, and we can commit to acquiring sound knowledge about the horse, his world and his point of view which can be verified by evidence and genuine principles, and not fashion. When we develop the capacity to step into the horse's space and look through his eyes, the Noise recedes and we can begin to become true horsemen.   







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    Anne Currie

    Putting the How and Why into What to Do

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